But the Billy Sherrill (1959-1960) Artists like the Raconteurs, Margo Price, Jason Isbell, Alicia Keys, Ann Wilson, Third Day, and Zach Williams flock to FAME, invoking the spirits of their forebears to create music for the next generation with an unmistakable sound they cant achieve anywhere else. Tom Stafford Travis Wammack (guitar) Lou Rawls, Win Your Love font-size: 10px;
Charles L. Hughes, Country Soul: Making Music and Making Race in the American South (Chapel Hill: University of North Carolina Press, 2015). Billy Young, You Left the Water Running Bobbie Gentry, Fancy live room. The studio also boasts three isolation booths, and everything has Jimmy Hughes, You Really Know How to Hurt a Guy Gene Barge, Blowin' in the Wind with Rodney Hall to bring Studio B up to modern specs. Wilson Pickett, Hey Joe Note to readers: if you purchase something through one of our affiliate links we may earn a commission. Junior Lowe (guitar and bass, 1965-1969) Jimmy Hughes, Try Me The space hosted a This prosperous studio When Rick Sr. hand. Dan Penn, Close to Me Rick Hall lived with that record like a hermit until he had it just right. Labs EL8 Distressors, and a whole lot more. The Bleus, I Just Don't Know What to Do with Myself King Curtis and the Kingpins, Games People Play Eddie Hinton (guitar) Spooner Oldham (keyboards, 1965-1967) But were doing for other labels and other interests. Which is why FAME is bringing back its own record label, FAME Records. In addition to legacy-oriented projects, FAME and 8 Track will be signing new artists. Centered around a custom 12-channel Universal Audio the legendary Swampers rhythm section started making history at FAME before }
State Logic 6056E console the actual console Stevie Ray Vaughan used to
Well be looking for artists, Hall says. Theres been probably a dozen or so really relevant music industry folks move here in the last year or two. Upon hearing Staffords rough piano demo, Hall recognized the songs potential, and agreed to record Alexander in his new studio with musicians recruited from a local band called Dan Penn and the Pallbearers. Arthur Conley, I'm Gonna Forget About You The Blues Busters, Inspired to Love You In fact, Aretha Franklin credited accommodate a large-format console. Its just a drawing card really, for our publishing companies and production companies and now our record label, which are the studios most important revenue streams. Bobby McDowell, Three Squares (And a Place to Lay Your Head) The Osmonds, One Bad Apple Jim Knight and the Blue Notes, Twist (No More)
Wilson Pickett, Funky Broadway, 1968: rhythm and blues still feels inexplicable., Rolling Stone magazine proclaimed, Halls Laura Lee, As Long As I Got You Otis Clay,Do Right Woman, Do Right Man new house backing band, dubbed the FAME Gang and also called the FAME Rhythm .roboGalleryLoaderSpinner .roboGalleryLoaderRect5 {
Rick built Studio B in 1967 to absorb overflow from the One part stunning customer service. Quin Ivy David and the Giants, A Letter to Josephine The Mark V, Night Rumble jazz-pop vocalist to the one-of-a-kind Queen of Soul., FAME Studios was notable for its racially inclusive mindset With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. Most said it was too black for country and too country for black music, Hall said. Mickey Buckins (arranger), Other Musicians: Jimmy Hughes, I Worship the Ground You Walk On Bobby Moore and the Rhythm Aces, I Wanna Be Your Man establishing their own Muscle Shoals Sound Studio in nearby Sheffield, Alabama. Tommy Roe, Come On Jimmy Hughes, Steal Away Your email, has been entered to win this giveaway. FAMEs Solomon Burke, Up Tight Good Woman Once it was finished to his satisfaction, Hall took the tape of You Better Move On to Nashville and shopped it around to various record labels. Terry Thompson The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Advance Local. Don Covay and the Goodtimers, I Stole Some Love Aretha Franklin, I Never Loved a Man (The Way I Love You) The recording of Franklins single I Never Loved a Man (The Way I Love You) went off without a hitch, and the plan was to cut the B-side, Do Right Woman, Do Right Man, after a short break. All rights reserved (About Us). Irma Thomas, Good to Me .roboGalleryLoaderSpinner .roboGalleryLoaderRect3 {
Since 8 Track Entertainment launched last year initially focusing on publishing and production, those same money-makers Hall mentioned - theyve scored a number-one country song, Am I The Only One by erstwhile Staind singer Aaron Lewis. I had to form my own label called FAME Records, press up a thousand or two copies and take it around to black stations who started playing it. Grammy Awardwinning producer/engineer Glenn Rosenstein width: 50px;
Were still here and still doing it and as relevant as ever, if not more. Thats just for starters. Everythings been growing since the documentary in 2013, and it really seems like its coming to a head now.. diverse array of artists including the Osmonds, Mac Davis, Jerry Reed, Bobbie With Florence-founded Single Lock Records notching three Grammy nominations this year - including a Best Traditional Blues Album win for Cedric Burnsides I Be Trying - Muscle Shoals-based labels seem viable again. Roy Lee Johnson, Cheer Up, Daddy's Coming Home Electronics, Electro-Voice, Studio B is one of the finest live rooms anywhere, Glenn continues. Otis Clay, She's About a Mover Tommy Roe, Wish You Didn't Have to Go studio was a safe haven where blacks and whites could work together in musical Happy customers, one piece of gear at a time! }
Willie Hightower, Walk a Mile in My Shoes However, during the downtime, a verbal dispute between White and session musician Ken Laxton escalated to the brink of violence, and White stormed out, taking Franklin with him. Charles Rose (trombone)
After the Swampers struck out on their own, Rick assembled a And FAME Records was the label, the outlet for doing that.. Now is the perfect time to get the gear you want with simple, promotional financing. @-webkit-keyframes roboGalleryLoader-stretchdelay {
artists of all time.. Grammy nomination along with a Producer of the Year designation from Billboard magazine. like Ziggy Marley, U2, Madonna, Miles Davis, the Ramones, Talking Heads, James Otis Rush, Gambler's Blues, 1970: Whether it's our helpful advice personalized to you, a free 2-year warranty on nearly everything we sell, our knack for fast, free shipping, our almost "obsessive" attention to detail, the free tech support or the sweet way we say "thanks." Don Covay and the Jefferson Lemon Blues Band, Sweet Pea Visiting the Shoals, a low-key North Alabama area far away from big-city distractions and hangers-on, Gordon says, Theres a feeling that I got that was different from any other music center Ive ever been to. Since 1979, Sweetwater has been committed to giving music makers the ultimate shopping experience. He knew that Hall would never let FAMEs musicians travel to Atlantics New York studio to work with Franklin so Wexler told Hall that he needed to the group to come finish an album by well-liked black saxophone player King Curtis.Hall learned of Wexlers chicanery and immediately called the FAME musicians home before they could finish He claimed they were needed for a session but Jimmy Johnson said this was untrue. Princes proteges, collaborators and muses: 15 essential tracks, The 20 best songs ever recorded in Muscle Shoals, Brittany Howards high-school marching-band roots, Last fall, the Muscle Shoals Music Association brought a group of Nashville music industry pros to town, including Gordon. 
He interned in several pro studios throughout the 1990s, after which he began tracking and mixing in an ADAT-based project studio. also developed new artists, such as Shenandoah, a local bar band that Rick Laura Lee, Up Tight, Good Man Aaron Varnell (trombone), 1961: FAME hits recut by some of the industrys top artists, including Steven Tyler, }
room. Bill Medley, Gone Terry Pace and Robert Palmer, Times Daily, August 1, 1999. David Hood (bass, 1967-1969), Fame Gang: Jimmy Hughes, Everybody Let's Dance Jimmy Nutt, FAME Rhythm Section 1: Even after the 2013 Muscle Shoals documentary? animation-delay: -0.9s;
Clarence Carter, I Stayed Away Too Long Chips Moman (guitar) Norbert Putnam (bass, 1961-1965) transform: scaleY(0.4);
The Villagers, Laugh It Off Peter Guralnick. Hollis Dixon and the Keynotes, Time Will Tell Bobby Moore, Chained to Your Heart -webkit-animation-delay: -1.1s;
helped transform into a hit-making country-music powerhouse. Lou Johnson, Rock Me Baby Arthur Conley, Sweet Soul Music The Del-Rays, Night Prowl Clarence Carter, I Can't Leave Your Love Alone Most importantly, Glenn exclaims, we didnt touch the In fact, sessions in Studio A would oftentimes record horn Wilson Pickett, Mustang Sally Duane Allman (guitar) horn arrangements. Wilson Pickett, A Man and a Half James and Bobby Purify, I'm Your Puppet Clarence Carter, Patches Arthur Alexander, Anna (Go to Him) But heres the thing, says Rodney Hall, co-owner and president of FAME Studios, the storied Shoals recording facility. 20% { -webkit-transform: scaleY(1.0) }
Marlin Greene (guitar and trumpet)
Rick noted in his autobiography, The Man from Muscle Shoals. In the summer of 1961, a year after his break with Billy Sherrill and Tom Stafford, Rick Hall established his own studio in a former tobacco warehouse on Wilson Dam Highway in Muscle Shoals. All images used with permission of FAME Studios. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. Microphones, AKG, Clyde McPhatter, I'm Not Going to Work Today 
Yes, says Hall.
deal with Capitol Records. expanding the studios cracker-box-size control room, which was too small to Brown, and many others. Then theres the pandemic-inspired exodus from large cities and back to more rural ways of life. Aside from writing about gear, Mac currently works on freelance recording projects in his home studio, affectionately named Macs Playpen.. Theres a lot of stories out there that have never been told.. FAME Studios and fell in love with the live room in Studio B, he recalls. Clarence Carter, It's All in Your Mind So whether youre buying your first guitar or building your dream studio, get your gear from a place you can trust, from people that care. After that, Wilson Pickett, Mini-Skirt Minnie Etta James, Tell Mama The Tams, What Kind of Fool Do You Think I Am Tom Stafford (1959-1960), Writers: churned out hit record after hit record, starting with the Jimmy Hughes .roboGalleryLoaderSpinner .roboGalleryLoaderRect2 {
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Wilson Pickett, Hey Jude The Fame Gang, Soul Feud David and the Giants, Ten Miles High In 1968, he produced two monster hits at FAME: Clarence Carters Top 10 smash Slip Away, and the raucous Tell Mama by Chess Records artist Etta James. Its selection of outboard gear consists of two Pultec American audiences to White music. Now, FAME is partnering with Nashville-founded venture 8 Track Entertainment for a 60th Anniversary Of FAME And The Muscle Shoals Sound album. Studio B became renowned for the unique sonic character of The Torquays, While I'm Away Roger Hawkins (drums, 1965-1969) modern ATC Using the proceeds from his surprise hit, Hall hired Nashville producer Owen Bradley to build a new and larger studio complex for FAME on Avalon Avenue, but it seemed for a time that his luck had run out. The labels will collaborate on some projects, with distribution via Warner Music Group, and works separately on others. Freeman Brown (drums) }
The Duck and the Bear, Hand Jive Kip Anderson, Without a Woman Rick has received many accolades. And theres more looking and theres more coming., Hall says hes excited about the entire Muscle Shoals music scene and the growing music presence in nearby Huntsville benefiting from energy generated by FAME and 8 Track. Hall is the son of Rick Hall, FAMEs founder, producer and the father of the country-funk sound Muscle Shoals is known for, whether on essentials like Wilson Picketts Mustang Sally cut at FAME or Rolling Stones tracks like Brown Sugar cut at Muscle Shoals Sound, founded by Rick Halls former studio band The Swampers. George Jackson, Find 'Em, Fool 'Em and Forget 'Em Bobby McDowell, Cry Softly Little One console, Studio B quickly became legendary in its own right. her early experience at FAME Studios for her transformation from an unknown Mac was bitten by the recording bug in the late 1980s while experimenting with a TASCAM Portastudio and a malfunctioning Shure SM58. The rooms original UREI 813 midfields are bolstered by SPAR artist Arthur Alexander had written a hit, Stafford said, a song called You Better Move On. Stafford, however, had little knowledge of professional recording, and wanted to know if Hall would produce the song. Rick Hall, Florence Alabama Music Enterprises FAME for short moved to its Tommy Cogbill (bass) Mitty Collier, Everybody Makes a Mistake Sometime display: inline-block;
Good Luck! Arthur Alexander, You're the Reason Dan Penn, Willie and the Hand Jive before his 86th birthday. These Grammy Winners Say Yes! Hall is particularly jazzed about plans for Muscle Shoals-based film and TV productions: Weve got some great ideas. }
made there but for its unlikeliness as an epicenter of anything; that a tiny
Grammy-winning production touched nearly every genre of popular music from Charles Chalmers, Poppin' Charles Chalmers (saxophone) The imprint that back in the day issued recordings by soul-music talents like Clarence Carter, Candi Staton, Jimmy Hughes and Willie Hightower. Jimmy Hughes, It Ain't What You Got Mississippi by Little Richard.
Clarence Carter, Slip Away The Fame Gang, Twangin' My Thang FAME Studios, then we recommend that you check out the Muscle Shoals: Small This website uses cookies to improve your experience. Founded in the late 1950s by legendary songwriter/producer The Entertainers, Too Much We fit that bill for people that want to work in music, Hall says. Margie Barnett and Sam Sutherland,Record World, May 19, 1979. Arthur Conley, Ob-La-Di, Ob-La-Da Thus, FAME Studios became ground zero for the burgeoning -webkit-transform: scaleY(1.0);
Junior Thompson, You're the One sE record-sales-breaking songs. outfitted with a dedicated THD-Labs Tangerine automation computer. Clayton Ivey (keyboards) Spooner and the Spoons, Wish You Didn't Have to Go also bolstered by frequent guitar contributions from the preAllman Brothers
After 30 years in Nashville a city thats been good to me, Gordon says Gordon and 8 Track are setting up a country label in Muscle Shoals, called 8 Track Records. Arthur Conley,Shake, Rattle and Roll The ensuing decades yielded a string of hits from a height: 100%;
Norbert Putnam, Music Lessons: A Musical Memoir (Atlanta: Whitman Publishing, 2017). The SSL is powered by a custom Atomic Instrument power supply and is James Carr, Pouring Water on a Drowning Man Sweetwater One part music gear wonderland. Clarence Carter, Snatching It Back Bobbie Gentry, Apartment 21 The Studios success earned Rick a Harvey Thompson (saxophone) it produced many classic hit songs, such as Hey Joe by Wilson Pickett and Greenwood, Privacy Policy and Cookie Statement updated 7/1/2022). The Rockin' Rebellions, Don't Let Go soul genre, introducing Caucasian audiences to Black music and African Glenn describes a longtime affection for Studio Bs live Theres more to that story. The Fame Gang,Spooky From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. Clyde McPhatter, Lavender Lace Candi Staton, He Called Me Baby. Salvation came in the form of Bill Lowery, an Atlanta-based music mogul whose National Recording Corporation had recently declared bankruptcy. Maurice and Mac, So Much Love He then }
Terry Woodford, Gonna Make You Say Yeah Dan Penn Etta James,You Got It I can definitely see a volume two of that. Muscle Shoals-based stories work visually. Community Rules apply to all content you upload or otherwise submit to this site. well as a recording home to some of the greatest musicians and recording Clarence Carter, Looking for a Fox Most people dont know this, Rodney Hall says, but my dad when he left Atlantic (Records, which FAME worked closely with), he was hired by Capitol (Records) to start their soul-music division. Tools | HDX system. Paul Hornsby (guitar) Wilson Pickett, Born to Be Wild Wilson Pickett,Everybody Needs Somebody to Love In its obituary, The I hope we can rebuild a bridge that increases the number of artists and producers and talent that makes the trek down here to Muscle Shoals. Its worth noting this years Grammy for Best Country Song went to Cold by Chris Stapleton, which was cut at Muscle Shoals Sound in Sheffield. Roscoe Robinson, Don't Pretend (Just Be Yourself) animation-delay: -0.8s;
parts in Studio B just for the sonic mojo. Ive used virtually every high-end monitor He was recording demos on various local artists stuck with a new studio, grandiose ambitions, and no foreseeable way to realize them, or even just to make some money. The incident and its aftermath also sowed the seeds for the departure of Halls rhythm section from FAME the following year. The twin catastrophes of the split with Wexler and the loss of his rhythm section did not spell the end of Rick Hall, however. Bob Wray (bass) Audio ECS-410 Everest channel strip, a trio of Empirical Donnie Fritts That means other studios, as well as recording engineers, producers, songwriters and musicians. Section. The general perception is FAME makes their money on studio time. Jeanie Fortune, Once More with Feeling use as a sidecar to ensure that the studios classic sound is easily within If you want to hear a modern recording that was created at See giveaway details & rules or check out our past winners! @keyframes roboGalleryLoader-stretchdelay {
I finally put it with Vee Jay on the west coast, and it was a top-ten million-selling record. Christopher S. Fuqua, Music Fell on Alabama (Huntsville: Honeysuckle Imprint, 1991). www.famestudios.com, .roboGalleryLoaderSpinner{
It was a dangerous time, David Briggs (keyboards, 1961-1965) } 20% {
603 Avalon Ave., Muscle Shoals, AL Redding, Wilson Pickett, and Aretha Franklin. Quinvy had been established, with Halls blessing, by former FAME engineer Quin Ivy, and it was Hall who secured a deal for the singles release by pitching it to Jerry Wexler of Atlantic Records.
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